Saturday, October 19, 2019

Six Ways to Immerse Your Reader in the Setting of a Story

Reblogged from https://thewritepractice.com/story-setting/ by Joslyn Chase.

Imagine The Shining taking place in a shopping mall. Or the movie Se7en set in sunny Florida. It just wouldn’t work. The setting of a story plays a vital part in the success of these stories, and it should in your stories, as well.
6 Ways to Immerse Your Reader in the Setting of a Story
Setting does more than provide the backdrop for your characters. It opens certain possibilities for your story and closes down others. It helps establish the tone of the story and often supplies support for the theme. Often, setting can function as a character in the context of your story.
Setting is of supreme importance in writing a stellar story.

What is setting?

The setting of your story goes beyond place. It encompasses factors such as historical background, culture, socio-economic environment, and atmosphere. It influences character language, writing style, type of story, and overall ambience. All of these elements should work in harmony with the plot, characters, and theme of your story.
Here’s an example of what I mean. Let’s look at one of my all-time favorite books, Daphne DuMaurier’s Rebecca. The story is a romantic suspense in a gothic setting, the language lush and dreamy with leisurely cadences:
“Last night, I dreamt I went to Maderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me…”
Do you see how the author’s style matches the setting? The perfect pairing contributes to the success of this enduring classic. Let’s contrast that with the opening from Thomas Harris’s The Silence of The Lambs:
“Behavioral Science, the FBI section that deals with serial murder, is on the bottom floor of the Academy building at Quantico, half-buried in the earth. Clarice Starling reached it flushed after a fast walk from Hogan’s Alley on the firing range. She had grass in her hair and grass stains on her FBI Academy windbreaker from diving to the ground under fire in an arrest problem on the range.”
The setting and language are different here but nicely matched to each other, laying the groundwork for the kind of story Harris is getting ready to tell.
Setting is integral to story, so take care to choose a setting that will best complement what you want to communicate to your reader.

What can setting do for me?

I cannot enumerate all the perks that come from selecting an appropriate setting, but I can touch on some of them.

1. Setting helps determine your story parameters

When you choose a setting, you put limits on your story—and that can be a good thing. It helps in your decision-making process, presenting an array of options applicable to your setting, and eliminating others from the pool, letting you focus on what works best.
For example, Andy Weir set his story The Martian on Mars. That limited his choices of plot events. Having Mark Watney meet the woman of his dreams on the red planet was not on the table, and would have shifted the story off its axis and made it into something else entirely.

2. Setting helps unify story elements

Setting contributes a lot to unity in a story, and much of it happens on a subconscious level. But here’s a handy technique you can make conscious use of to bind the moving pieces of your story into a coherent whole: Make repeated references to a particular element.
If you work it right, this can also be a powerful way to express theme, as discussed in the next section.
For example, if my story was set in a town next to a roaring river and my theme touched on the frantic nature of time rushing on, I could use that river as a central element. I’d spend a paragraph or two, early in the story, describing the river with specific sensory detail, making sure readers understand how fast and loud and unrelenting the river is, etc.
Then, use the river again and again as a unifying symbol. Feature the river in a newspaper article a character reads; have another character tell how her brother died there. Have two characters agree to meet there. Look for opportunities to mention or incorporate the river, and thus it becomes the spinal cord of your story, unifying the outlying elements.

3. Setting helps communicate theme

Beyond providing a consistent framework and tying together plot elements, setting can help express theme.
For instance, my new thriller, Steadman’s Blind, is a wild ride told from four different viewpoints and changing trajectories, but the setting—the aftermath of a volcanic eruption—unifies the various elements and highlights theme.
As the ash in the air thickens, so does the plot and the desperation of the characters. Toward the end, when the wind shifts, clearing the sky, it is an omen of hope.

4. Setting can help define your character

If you show your character as a product of his environment, whatever you do to develop your setting reflects on your character as well. This is a great way to convey important aspects of your character without spoon-feeding them to your reader.
By contrast, you can use setting in another way, placing your character in a setting completely opposite to his nature. A fish-out-of-water scenario creates instant tension and can lead to a compelling story.

5. Setting can advance plot

Change in a setting can force your characters to act, advancing the plot. As a bonus, such changes will increase the tension level, too.
A dam breaks; a town floods. A prosperous business gets bought out and people lose their jobs. A family finally builds their dream home where their children can safely play and the state builds a maximum-security prison next door.
You get the idea. Change your setting, advance your plot.
And the change doesn’t have to be something tangible—it could simply be a change in perspective.
For example, Martha appreciates her husband. He never complains that she spends her days hanging out in coffee shops with friends. He’s undemanding about her cooking and housework. He tolerates her draping pantyhose over the bathroom shower and taking up all the counter space for her cosmetics.
And then Martha pulls a long, blonde hair off her husband’s sock while doing laundry and her perspective changes. His laissez-faire attitude now suggests he’s got other interests. Martha has to do something about it.

6. Researching setting can spark ideas

In most instances, you’ll need to do at least a little research to flesh out the setting of your story. Doing this often opens up new possibilities and suggests plot events you hadn’t considered. Research has many times led me to a treasure trove of ideas and fabulous details to add verisimilitude to the story.
The caveat is that you can get carried away. Don’t overspend your time on research, and don’t overburden your story with irrelevant details.

A few final thoughts on setting

I used to work for our public library system, and I was trained to help readers find just the kind of book they’re looking for. One thing I learned is that many readers are highly sensitive to setting, wanting books with a particular type. Setting holds great appeal for a lot of hungry readers, so think about that when choosing the setting for your next story.
Pay more attention as you watch and read, looking for ways the setting has influenced the story. For an interesting look at how setting was used in some of Hollywood’s biggest films, check out this article.
Now that you know how to use setting to strengthen your story, go forth and put this power to work in your writing!
Are you aware of setting in the stories you read? How about the stories you write? Tell us about it in the comments.

PRACTICE

There’s little point in fixing on the right setting for your story if you don’t pull your readers into that setting so they can experience it along with your characters. Remember item #2 above? Before you make repeated references to the significant element, you have to describe it such that your readers will understand it’s important.
Choose from the options provided and write one or two paragraphs of description, using sensory detail that shows the emotions and opinions of the viewpoint character. Remember, every word should come through that character and be colored by their attitudes and preferences.
  • Clock tower in the town square
  • Pool at the neighborhood gym
  • Lightning-charred tree at the edge of town
  • Rocky ridge on nearby mountain
Write for fifteen minutes. When you’re done, think about ways you could incorporate this image into your story, using it to unify and express theme. Post your work in the comments, and be sure to provide feedback for your fellow writers!
Joslyn Chase
Joslyn Chase
Joslyn Chase loves suspense fiction and writes thrillers, mysteries, romantic suspense, and horror. She is the author of the thriller Nocturne In Ashes, an explosive read that will keep you turning pages to the end. What Leads A Man To Murder, her collection of short suspense, is available for free at joslynchase.com. Joslyn loves traveling, teaching, and playing the piano.

Saturday, October 12, 2019

October Festivals in the Philippines


Filipinos love to party. They will find any excuse to have a party. They celebrate births, marriages, saints’ days and everything else. The Spanish adapted traditional rituals by celebrating a saint’s birthday on dates formerly associated with animistic rituals.
You will see festivals in every ethnic group, as people get together for essentially spiritual events. Drama, excitement, food, music, and renewal of relationship are shared extensively. Fiestas range from large, organized, regional events to small barangay happenings. Activities usually center around the church, and from there, proceed into the community.
Here are some festivals for October:
Zamboanga Hermosa Festival – 2nd week in October, Zamboanga City, Zamboanga del Sur, Mindanao
Zamboanga City’s biggest fiesta commemorates the apparition of the Virgin at Fort Pilar and her miraculous intervention against enemy attacks. It celebrates the Virgin Mary towards whom the people of Zamboanga hold a special devotion as a unifying cultural and historical symbol of the land. There are fireworks, parades, a regatta, variety shows, games, a carnival and the Miss Zamboanga Pageant.
La Naval de Manila – 2nd Sunday in October, Quezon City
An evening candlelight procession from Santo Domingo Church, Quezon City along Quezon Boulevard honors Our Lady of the Holy Rosary to whose intercession is attributed a series of Spanish-Filipino naval victories over the Dutch in 1646.
Our Lady of La Naval de Manila housed at Santo Domingo Church in Quezon City is one of the most historically significant objects in the Philippines. It was commissioned by the Spanish Governor General Don Luis Pérez Dasmariñas in 1593 who wanted a statue of Our Lady of the Rosary to which the public could pray. The reason it is so revered in the Philippines dated to some 60 years after its creation when the Dutch Republic attempted to conquer the country as part of a strategy to dominate the key trade routes in the region. Up against the superior Dutch forces, the Spanish and Filipino forces prayed to the statue for victory.
After five battles, they succeeded in repelling the foreign invaders. Believing that this almost miraculous victory was due to the intervention of the Virgin Mary, they walked barefoot to pray to the statue which was later named as the protector of the navy of Manila.
Masskara Festival – Weekend near the 19th of October in Bacolod City, Negros Occidental province, Negros.
No event of religious or cultural history, no saint or divine spirit serves to justify this big blowout. What we have here is fun for fun’s sake. In this city, on these days, it’s time to party, masked, costumed, and in the streets. Even if you don’t feel like dancing and singing, the pig-catching and pole-climbing competitions are musts. The contest for the best mask is also exciting. Of course it’s not as purposeless as it may appear: the festival is meant to lift people’s spirit and to attract tourists, who flock here to join the merrymaking and to buy the orchids and ornate handicrafts on sale.
A smiling mask is the symbol of this festival which was started in 1980 to reflect the people’s spirit in spite of hardships caused by the sugar industry’s decline. The festival also concides with the city’s charter day on the 19th of October. A spectacular street parade climaxes a weeklong celebration. It is Bacolod’s Mardi Gras-like festival.
Gigantes – also called the Feast of San Clemente – late October in Angono, Rizal province, Luzon
In honor of the town’s patron saint, San Clemente. The party center around papier mâché giants, colorfully garbed and painted, surrounded by much dancing, singing and feasting. These gigantes (giants) lead the procession, mounted on stilts or carried by members of the community. Puppets, trailed by dolls that portray the occupation of their creators, follow as part of the entourage. At the end of the procession are small puppet children and a brightly painted papier mâché bull, whose body sparks with fireworks.

Sources:
Philippines Handbook – Carl Parkes
Traveler’s Philippines Companion – Kirsten Ellis


Tuesday, October 8, 2019

Limahong - A Chinese Pirate Who Invaded the Philippines - Part II



limahong 2 Invasion by Limahong. Painting by Carolos 'Botong' Franciscco, 1956

Limahong was determined to capture Manila in spite of the loss in Parañaque. He set sail again and arrived in Manila Bay. He sent forward his Lieutenant, Sioco, and 600 fighting men to demand the surrender of the Spaniards.
Alarm was raised in Malate which is close to Intramuros but the Spaniards took no credence to the report so no resistance was offered until the invaders were within the gates to the city.
Martin de Goiti, the Maestre de Campo and second in command to the Governor, was the first victim of the attack. Goiti and several Filipinos under the leadership of Rajah Lakandula were killed. Goiti's wife was badly wounded but survived.
The Spaniards took refuge in Fort Santiago which the Chinese were about to take control when they were interrupted by the arrival of fresh troops led by a Spanish sub-lieutenant. A bloody hand-to-hand combat followed. With great difficulty, the Chinese collected their dead and sounded the retreat. Sioco reported the result of the attack to Limahong who was in Cavite with his reserved forces.
Limahong resolved to rest his troops and renew the attack in two days’ time. Meanwhile, Juan Salcedo arrived by sea the next day with reinforcements from Vigan, and preparations were made for the expected encounter. Salcedo having been appointed to the office of Maestre de Campo, vacant since the death of Goiti, was entrusted to the defense of the city.
By daybreak on December 3, Limahong and his fighting men took off for the capital. Sioco swore to take the place or die in the attempt. Sioco, with his division, advanced towards the fort. A hand-to-hand fight ensued as he entered the fort. Salcedo and his men fought fiercely like a lion. The Spaniards finally gained the victory. The Chinese were repulsed with great slaughter, and Sioco having been killed, the Chinese fled in complete disarray. They retreated on board the fleet. Unfazed by his loss in his attempt to take over Manila, Limahong was determined to set up his capital in other parts. He then set sail again for the west coast of the island.
The panic of the Chinese spread rapidly and Limahong, in despair, landed another contingent of about 500 men. He remained at sea but even with this reinforcement the morale of his army could not be restored.
Salcedo, profiting by the confusion, now took the offensive and followed the enemy, pursuing them along the sea-shore.
Sources: Wikipedia, Kahimyang.com

Until next time. The Philippine history continues. . .